Every musician aspires to do things their own way, but very few truly have it in their DNA. The boys and gal in Million Dollar Mouth, on the other hand, have been blessed with the right instincts. Equal parts stoner rock, Brit-pop, punk, and indie, with a pinch of electro thrown in for good measure, MDM gives full vent to every musical impulse in their collective soul, resulting in what Lollipop Magazine calls “stylistically kicking the crap out of The Strokes, while smoking Stone Temple Pilots’ cigarettes and listening to Marvelous 3.” With the panicKING, their second album on Atonal Records (the band’s own label), the LA-based quintet makes eclecticism and independent thinking respectable and cool again.
Their story sounds like some well-contrived publicity yarn: The left-handed guitarist who plays with his instrument strung upside down; the imposing punk veteran who sings spot-on Appalachian harmonies and drums like a mad dervish; a small army of gifted, outlandish bass players who’ve come and gone with a Spinal Tappish frequency. Remarkably, though, it’s not fiction; it’s Flathead. To music fans outside the Grand Canyon state, Phoenix’s Flathead is more a legend than a band. Their brand of blazing boom-chicka country, fevered roadhouse, and impeccably crafted catalog of trad inspired tunes have made them one of the most significant, if overlooked, roots acts to emerge from Arizona in a generation.
Kris Cremain - vox, guitar
Cremona Cremain - bass guitar
Rob Cremain - guitar, vox
Tommy "Cuzin" Cremain - drums
Thars' Dyrathsmus, Robert, Mathias, and Michael... All the boys play... and croon real nice too...
The bands latest writhing release, Somewhere There’s a Law Against Everything, smacks with all of the frustration, cynicism and pessimism that not only the band, but most of the country is feeling right now. It delivers an irreverent electric jolt to the balls of the Powers-that-be while conveying a longing for simpler times and a pullback to the rustic. This has always been an against all odds kind of band. It gives the music an edge you don't often hear.
Headbangin', Cow-Metal, Surf-Punk, Death-Grass
a train wreck. but in a good way.